Listen!
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The Thing, Bag It (Smalltown Superjazzz)
WAAAAAAAAAAAAAAH (gasp) WAAAAAAAAAAAAAAAAAH (gasp) WAAAAAAAAAAAAAAAAAAAH! (gasp!) WAAAAAAAAAAAAAAAAAAAAAAH! (GASP!) eeeeeeeeeeeeeeeeeeeee THONK-THONK THONK-THONK THONK-THONK THONK-THONK crack-crack-crack-crackity-crackity-thump BRRRRRWWWWWAAAAAAAAAARRRRRRRRRRRRAAAAAAAARRRRRR
And so begins another album by Norway’s finest, The Thing. This time round the trio of Mats Gustafsson, Paal Nilssen-Love and Ingebrigt Haker-Flaten have followed their punk leanings to their most logical conclusion by enlisting the recording services of none other than Steve Albini to capture their live dynamism. And what a great job he does: even just getting saxophonist Mats Gustafsson’s desperate gasps for breath, the ones which punctuate the intro to their cover of The Ex’s “Hidegen Fujnak A Szelek“, builds an incredible tension. That tension builds through the following “Drop The Gun”, finally exploding with blinding white electronics from Gustafsson and Haker-Flaten. Electronics also feature in the group’s composition “Hot Doug”, meshing with the bass to form a deep, rumbling undercurrent for Nilssen-Love to thrash against. Gustafsson is on fiery, imperious form throughout, with the confidence to take on Albert Ayler’s “Angels”: he resists the urge to tear it into tiny pieces, douse it in petrol, set it ablaze, and pound the embers into the earth, keeping the matches in the box with a remarkably restrained performance.
For those hungry for more, the CD comes with a bonus thirty minute slab of prime Thing, also recorded by Albini, entitled “Beef Brisket” (first four minutes: umm dumm shuffle clang rrrrrrrrrrrr ummm dummm dagadagadagadagaDAGADAGADAGA YEEEEEEEEEEEEEAAAAAAAAAAAAAA). Here, Gustafsson channels Ayler, Trane, Pharoah, and Brotzmann, spitting molten concrete all over the stage. Do what they tell you: bag it. Available now from Smalltown Superjazzz.
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