There were more sample chapters from in-progress novels this time than any Turkey City I can recall. Interestingly, there were also no submissions that came off as ready for publication, either, which kind of bucks recent trends. Below, the Turkey Citizens hunker down for a frazzled reading session before the bloodletting starts:
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Below left, Jessica Reisman, brought a rewritten opening sequence to an in-progress novel. It reminded me of Martha Wells' City of Bones in tone if not content. Below right, Elze Hamilton, a newcomer, brought perhaps the coolest SFnal concept to the party. Her story also provoked the most passionate responses from the group, so that's a score for the rookie.
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Below left, Bruce Sterling applies is distinctive brand of literary criticism to a hapless story. Below right, Fred Stanton brought the opening chapter of a mythic, supernatural space opera hybrid. I got a kick out of it, but threw Nakashima-Brown for a loop when I described it as a "Post-colonial pseudo-Pakistani anal-retentive society," which was apparently too close to a Bruce-ism for him to parse coming from my mouth.
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Yes, Jen Waverly and Meghan McCarron were up to no good. You can tell by the fact Waverly started hitting the sauce early. McCarron seemed taken aback by the Laissez-faire structure of the workshop, in particular the lack of a timekeeper. Everyone was pretty bleary-eyed by the time things wrapped up, so perhaps a timekeeper would be a good idea.
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Traffic stops and pedestrians flee when Turkey Citizens are on the move for lunch. We ended up eating in a nifty Thai place right next to the former location of the late, lamented Adventures in Crime & Space bookstore, which is now a boutique owned by Sandra Bullock. And I also spilled a glass of water on Nakashima-Brown's iPhone, but he'd wisely installed a waterproof ap, so all was well.
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Left to right, Caroline Joachim, Lawrence Person and Paul O. Miles. Joachim brought a time-travel romance, Person a R.A. Lafferty pastiche and Miles a story best described as period Texas Weird.
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Chris Nakashima-Brown demonstrates exactly what he'll do to me the next time I bring a 9,000-word story to a workshop with a 5,000-word limit.
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The critique session gets under way, in which egos are crushed and dreams ground underfoot. Ah, good times...
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For anyone who's interest, I consider the critique my own story received during Turkey City over at my Gibberish blog.
3 comments:
It must have been low key. People are actually smiling and there is no bloodshed (well at least in these pics).
True, Rick. It was unusually low-key.
Nice recap, Jayme. I thought that was a great workshop. I actually don't think the tenor has diluted, just that the quality of the work keeps improving, and the strength of the writers (perhaps we can credit the organizer for doing a good job of assembling balanced participants). Diversity matters!
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