Thursday, February 26, 2009

To your scattered body go



I was saddened by last night's news of the death of Philip Jose Farmer. Farmer cracked my brain open at a young age, when I discovered his Peoria phabulism on the shelf of a branch library in a leafy old neighborhood, and wrapped my brain around the extent to which imagination permeates "real life" through its narrative infection of our minds. Farmer, perhaps more than any other writer, managed to transform the rawest pulp material into an X-ray lens that exposes unexpected revelations about consciousness and identity, partly by exploring the bizarre subtexts of mainstream genre narratives. I try to situate his contribution in the essay I will be presenting as part of the upcoming symposium on Parallel Worlds: The Impact and Influence of Science Fiction on Contemporary Culture at the Festival de Mexico March 16-20 in Mexico City:

Midwestern fantasist Philip Jose Farmer intuited what’s going on [with the increasingly slippery boundary in our heads between our fantasy narratives and consensus reality]. In Tarzan Alive and Doc Savage: His Apocalyptic Life, Farmer wrote biographies of great pulp heroes as if they were actual historical figures. And in the process of doing so, invented a metafictional postulate that all of the pulp heroes of the English language since the late eighteenth century were literal cousins, descendants of a small group of people exposed to a mutation-causing meteorite in 1795 Yorkshire. In the Riverworld novels, he imagined a meta-nonfictional purgatory realm in which everyone who ever lived co-existed, allowing for the novelistic protagonist (and readerly alter ego) to adventure with pulped-down versions of great figures from history — Richard Burton, Hermann Göring and Mark Twain on a quest to discover the secrets of heaven. The cartoon heroes are all real, the historical figures are all cartoons, and they all co-exist as non-player characters in the role-playing game of our elusive self.

He will be missed.

More at Win Scott Eckert's Wold Newton blog.

Wednesday, February 25, 2009

The Day After



When the President gives a speech to a joint session of Congress on Mardi Gras, is it too much to ask that just one lunatic member of the Senate yell "Show us yer tits!"? Or that the Prez* throw beads from the podium, with the Veep and the Speaker wearing creepy post-Venetian masks behind him? I guess they don't need to throw plastic coins like the ones the rich white Krewe members throw from the floats to the poor working people below at the actual Mardi Gras, since they are already throwing so many billions at the problem of the, you know, collapse of Western capitalism.

Today is the day after Mardi Gras, when the streets of New Orleans are deserted as everyone in town sleeps off the hangover of a five-day gluttonous binge. Not a bad metaphor, perhaps, for how things feel today as a citizen of the West. Sitting here today, watching the whole grand edifice crumble to the ground, you can't help but feel like, in some respects, the whole economic-cultural milieu of middle-class American life since World War II has been a kind of grand binge in which we developed an entire economic system grounded in fictions and fueled by militaristic Keynesian fiscal policy that got us out of the last depression, and provided the core economic engine ever since: the great edifice of the military-industrial complex, which pretty much begat the modern technology and automotive industries.

It feels like everything else in the postwar economy has been basically a narrative construct. Sure, if you dig through the contractual labyrinths, you would find the underlying tangible assets like the crappy suburban houses and the office supplies of the Fortune 500. The genius of capital is its ability to take a closet full of paperclips, convert it into money, and create more money out of thin air through brilliantly conceived rhetorical time travel. When you get so far out into the ether that you can't remember what the paperclips are worth, you are about to being playing a very expensive game of pick-up stocks.


When I was in college, I heard the great economic historian (and historian of economics) Deirdre McCloskey (at the time, bearded, dramatically stammering, crazy charismatic Donald McCloskey) present "The Rhetoric of Economics." This brilliant paper from Iowa City's finest borrowed from contemporary critical theory to deconstruct the mathematical constructs of modern neoclassical economics as rhetoric (metaphor, mainly) whose actual moorings to observable physical reality were (are) elusive, amenable to dissection with the same critical tools as one would use on a novel.

I think McCloskey's observations are equally applicable to the contractual labyrinths on which our modern capital markets are constructed: the infinite texts crafted by the armies of smart lawyers who transform the ever-more complex exchange arrangements of entrepreneurial capitalists into narratives designed to serve as the scripts for the conduct of private persons that can be enforced by a court. The distance between the top of that mountain of paper (in itself merely the vehicle for the cartography of the infinite maze of applied symbolic logic that represents the world's financial instruments) and the hard utilitarian asset value that is nestled therein, on the other side of an exhausted minotaur, is longer than we know. For a simplistic example, consider the distance between the market capitalization Google at its peak, and the book value of the tangible assets of Google that could be sold in a liquidation.

That distance seems to be the one we are currently traversing, a psycho carnival ride drop of unknown distance. One that comes at a time of other massive, wrenching changes, like the demise of the media that for a hundred years have been our principal means of the dissemination of socio-economic information, the crescendo moment of climate change, the political realignment of the world expressed through resurgent religious/tribal identity politics, and the cracking of our own genetic code. May you live in interesting times.

Watching our "leaders" mime their way through the same old rhetorical prestidigitation, one can't be faulted for wondering whether any of them really have a freaking clue what's going on. If the guys at the Bloomberg terminals have lost their ability to value the assets of the society, do you really think the politicians have a better idea? You can pump all the plasma you want into the patient, but it helps a lot if you can figure out how to stop the bleeding.

There's a weirder world than any science fiction writer could imagine lurking on the other side of the next fifty years.



* Speaking of which, the 44th president does in fact throw a big shout out to the forgotten DC Comics character Prez: First Teen President. For some reason I have a weird feeling today that this Joe Simon hail mary from the 70s may prove to be weirdly prescient, maybe because the current prez is appearing in so many comic books. Is the appearance of the Watchmen movie, with its alt-Nixon dystopia, portent of some imminent convergence of consensus reality and comic book semiotics? Wikipedia recap:



Prez: First Teen President was a four issue comic series by writer Joe Simon (the creator of Captain America) and artist Jerry Grandenetti, released by DC Comics in 1973 and 1974. It followed the adventures of Prez Rickard, the first teenage President of the United States of America, whose election had been made possible by a Constitutional amendment lowering the age of eligibility to accommodate the then-influential youth culture of the baby boom (a premise similar to that in the cult film Wild in the Streets).

Origin

Martha Rickard, of Steadfast, Middle America, named her son Prez because she thought he should someday be President. Having made the clocks of Steadfast, whose towers were so out of sync that the town heard a constant chiming, run on time, he was hired as a ringer for shady businessman Mr. Smiley to run for United States Senator after the eligibility age was lowered. An idealist, he rebelled against Mr. Smiley. With 45% of voters under 30, the youthful Congress passed an amendment lowering the eligibility age for the presidency and Senator Rickard was voted President of the United States. He appointed his mother Martha Vice President and made his sister his secretary.

The most significant supporting character, however, was Eagle Free, a young Native American who has a deep understanding of animals. He lives in a cave well-stocked with books about them, but knows most of what he knows first hand. Prez appoints him director of the Federal Bureau of Investigation. Eagle Free wears a headband with feather, braids, and no shirt, and is often accompanied by a menagerie of native and non-native animals. Eagle Free trains Prez in multiple fighting techniques. This is never shown, but it is referred to when he utilizes them.

Original series

Prez fought legless vampires, a right-wing militia led by the great-great-great-great-great-grandnephew of George Washington, "Boss Smiley", a political boss with a smiley face, and evil chess players. He was attacked for his stance on gun control, and survived an assassination attempt during that controversy.

After four issues, the series was abruptly cancelled. Several years later, Issue #5 was included in Cancelled Comics Cavalcade #2, though Prez itself predated the DC Implosion.

Prez also appeared in issue #10 of the 1970s Supergirl series, cover dated October, 1974. Although the first issue Prez specified that the series was an imaginary (non-continuity) story, this story by Cary Bates implies that Prez Rickard is President of the United States on Earth-One of the DC Universe. In the story, Supergirl (Kara Zor-El), also known as Linda Lee Danvers, saves Prez from two hoaxed assassination attempts to be entrapped into a third by a politician working with a witch who is called Hepzibah, though she looks exactly like Eve, who stabs the head of a doll of Supergirl's likeness in attempt to make her drop him. Kara is able to resist and flies Prez to the Fortress of Solitude, then drops a plastic dummy dressed as Prez into the East River so that they will leave her alone. The story played up Prez's ability with clocks to the point that they seem a predominant interest in his life, and Kara believes he has the precision of a jeweler.


Monday, February 23, 2009

The Elders' Village

For most people the world over, life is more about making do than having it made. Even prosperous people end up making do—improvising their way through life—when faced with various difficulties. When you're making do and you have a child to raise, you really do need help from aunts, uncles, grandmothers, schoolteachers, pediatricians, and the rest of the proverbial village that it takes to raise a child.

It takes a village applies just as much, or more, when you have to care for a parent with Alzheimer's.

My mother was diagnosed with Alzheimer's two years ago. She is now comfortably situated in assisted living, in Columbus, Georgia, where she lived in her own house for decades and still has many friends. She's in good physical health and good spirits and her finances are in order. I devoted intense energy and numerous trips to Georgia to making this outcome happen. It also took a whole village of other people, starting with a care-giving agency's owner, the agency's skilled and compassionate care coordinator, and a wonderful care-giver; and the authors, editors and publishers of several helpful books. I had kind and invaluable help from many other experts, including the elder law attorney, the financial planner, the lady from Mom's church who works at Mom's bank, the vice president at our other bank and the financial advisers she referred me to with questions, and the tax preparers, who were an AARP volunteer last year and this year a professional bookkeeper/tax preparer who will sort through the tax ramifications of all the financial arrangements I made.

Then there are the assisted living facility's manager, director, staff, and chaplain; two Columbus Veterans Service Office counselors and one field officer of the Veteran's Administration (from which Mom now receives an Aid and Attendance Benefit to offset her medical expenses); the real estate agent who succeeded in selling Mom's house; the woman who collects used household goods that are sold in a thrift store to support a cat charity, and the young man who drove the truck—this was how we cleared away a lot of Mom's old clothing and housewares—and the local library which accepted six boxes of books for the next book sale.

Last but most important of all, there are my cousins, Mom's nephew and his wife. Because they are in the estate sale business, they really know the lay of the land for elders moving to assisted living. They moved Mom to her new efficiency apartment and fixed it up nicely for her. They give me a place to stay and loan me a car to drive and a computer to use every time I go to Columbus. More than anyone else, I could not have done what I had to do without them.

Add doctors to the village that helps adult children care for a parent with Alzheimer's. My mom receives excellent care from her internal medicine doctor, her dermatologist, and her neurologist. The neurologist has had Mom on a combination of the drugs Aricept and Namenda for a year and half. Add medical researchers to the village too! As reported in the January 2009 issue of the newsletter Mind Mood and Memory (from Massachusetts General Hospital), a recent study indicates that the combination of Aricept, or another in the same class of drugs, with the drug Namenda is best treatment yet found for Alzheimer's. One researcher is quoted as saying, "We don't yet have a cure for Alzheimer's disease, but it's no longer accurate to say we don't have a useful treatment.... All AD patients in the study became more seriously affected by the disease over time, but those who received the combination treatment declined significantly more slowly. What's more, the longer patients received the combination, the greater the effect appeared to be." The drug combination doesn't cure Alzheimer's, but it buys time. If you have a loved one with Alzheimer's, buying time is the best deal on Earth.

Over Valentine's Day I went back to Columbus to visit Mom. I brought her a red balloon and a potted fern, both of which she liked. On a crystal clear afternoon, we walked around the outside of the assisted living facility. She has the shuffling Alzheimer's gait, and we didn't go fast, but we made it around the whole place. Downhill on the main driveway, then onto the sidewalk that goes around the back beside the wide sunny patio overlooking a meandering stream. Then along the other side of the building, by two vegetable garden plots, and finally up a large flight of concrete steps. Mom kept a safe hold on the railing and motored up the steps like somebody twenty years younger. All the way, she marveled at the signs of very early spring in Georgia. The vegetable plots were fallow, the trees by the stream bare, and the lawn grass winter brown, but shrubs and trees had tight buds. Sun-yellow dandelions dotted the edges of the lawn, and tiny blue flowers were mixed in with the brown stems of grass. I'm glad that Mom can still notice these things. She looks forward to seeing the first bluebirds of the year.

In the long uneven dying that is Alzheimer's, she'll probably lose the ability to recognize bluebirds, me, or anything else. More crises and heartbreak lie ahead. But know I now something vitally important: I'm not facing Mom's condition alone.

The world tilts, as it always has, summer to winter and back toward spring. People make do as they raise a child or walk with an elder toward the end of life. And the help of a village makes all the difference in the world.

Wednesday, February 18, 2009

When homunculi attack



When I was a kid, there was a period when I really wanted to get a pet monkey. My parents resisted, so I did a lot of research on the subject and made a series of compelling arguments as to how it could work. They still resisted, and in the end I was placated with a new dog.

I think the idea may have been subtly inspired by my viewing of a matinee showing of The Golden Voyage of Sinbad, in which a ship-borne necromancer creates his own homunculus, a groovy little Harryhausen gargoyle that carries the film. The monkey as pet is the ultimate anthropomorphic self-indulgence, a highly intelligent mini-human complete with opposable thumbs, an action figure with a beating heart, a cartoon mirror that enables a peculiarly eccentric and authentic simulation of whimsical self-expression.



I remember reading, many years later, a putatively "straight" biography of Michael Jackson, who at the time I considered an iconic postmodern figure who occupied some weird nexus of the '60s Motown pop star and David Bowie as the raceless and sexless alien Man Who Fell to Earth (for more on that strange theme, see my story "Immaculate Perception" in the hard-to-find Argosy 3, the last issue of that venture edited by Lou Anders before he moved on to bigger and better things at Pyr). Among the most compelling scenes in that bio was the image of Michael Jackson crying hysterically in his private apartment at Neverland Ranch after his sweet pet chimp Bubbles beat the crap out of him. Which reminded me of my pre-teen research, and the oft-repeated lesson in the exotic pet trade that nothing is quite so mean as a mature chimp held captive by nutjob humans who should know better.


[pic: "Michael Jackson and Bubbles," by Jeff Koons (porcelain, 1988)]

So when I see Drudge's latest tabloid purple involves an overfed Xanax-fueled chimp in Stamford going postal, with a bit of Morgan Fairchild thrown in for for that extra little frisson of avant-pop WTF?, I can't help but wonder how many little downscale Michael Jacksons are out there in suburbia, spending the long quanta of their leisure time inventing increasingly mutant variations on their imperceptible selves, complete with homunculi rebelling against their twisted, misguided, velvet confinement.

NEW YORK DAILY NEWS: 911 tape captures chimpanzee owner's horror as 200-pound ape mauls friend
Wednesday, February 18, 2009

The chilling screams of a crazed chimp mauling a Connecticut woman were captured on a 911 tape - along with the animal's owner begging, "Send police with guns!"

The 15-minute recording captures the bizarre horror of Monday's attack, which left a 55-year-old woman critically injured and the 200-pound ape dead in a hail of police gunfire.

"Hurry, please! He ripped her face off," the ape's frantic owner, Sandy Herold, 70, is heard telling the dispatcher on the tapes released Tuesday night.

"Listen to me, you have to shoot him."

The terrifying screeches of Travis the chimpanzee are heard as he mercilessly pounces on Herold's pal, Charla Nash.

"He killed her!" Herold told the dispatcher. "He ripped her apart. He tried attacking me. How fast can you get here?"

The dispatcher sounds incredulous as Herold describes how she had to stab the burly ape and only aggravated him.

"He's eating her," Herold screamed. "Please have them go faster."

When cops arrived at Herold's Stamford home, she can be heard yelling for them to "Shoot him!"

Nash was so disfigured that a cop on the scene mistook her for a man, telling the dispatcher, "He's got no face."

Fighting back tears Tuesday, Herold mourned the death of her beloved chimp and expressed concern for her friend.

"He was all I had," Herold said outside her home.

She painfully recounted how she stabbed her 15-year-old chimp with a butcher's knife, trying to stop the attack.

Cops shot and killed the rampaging primate when he cornered them in a squad car.

"To do what I did, it was the worst thing in the world," said Herold, a widow whose only daughter died in a car accident.

"He was my kid ... I never left the house without kissing him goodbye."


Herold revealed her heartbreak moments before she headed to Stamford Hospital to visit Nash, who underwent surgery Monday night.

"We're very optimistic right now," said Nash's brother, Steve.

What triggered the normally docile chimp's brutal attack remained unclear. Herold suggested that Travis, who appeared in TV commercials and delighted in sipping wine and surfing the Internet, pounced on Nash because he didn't recognize her.

"She always wore her hair long and brown," Herold said. "Friday she had her hair done. She cut it blond and fluffy. And she was in a different car."

Herold added: "He was very protective of me."

Travis' violence may be linked to a recent bout with Lyme disease, a tick-borne infection that can cause paranoia and mood swings in people, said Stamford police Capt. Richard Conklin.

Cops say that before Travis went berserk, Herold gave him the anti-anxiety drug Xanax because he was acting up. Herold said he never took the drug.

Either way, Travis escaped the house and was running around the lawn when Nash arrived with a stuffed Elmo doll to help coax him back inside. Travis set upon her immediately.

When cops arrived, Travis tore off a police cruiser's side mirror and opened the door, prompting a cornered cop to open fire on the burly ape.

The bleeding chimp staggered back into the house and died.

"I don't blame the cop for what he did," Herold said. "It's a tragedy on both sides."

The attack stunned Herold's friends and neighbors - and even left actress Morgan Fairchild, who once appeared alongside Travis in an Old Navy ad, devastated.

"This is not at all the personality I worked with," Fairchild told the Daily News. "It was like having a very bright child on the set that wanted to be a part of everything. He was just an amiable little guy, friendly and just loved to be the center of attention."




If I were to suggest I'm on the chimp's side, would you say I am even crazier than the "owner" who created this situation? Crazier than Michael Jackson dressing up his simian alter ego in matching gold epaulets, and surprised when the familiar lashes back like Charlton Heston in Planet of the Apes? I am sure you are right.



Recommended viewing: Conquest of the Planet of the Apes (1972), the fourth in the series, featuring a dystopian near-future (1991!) in which apes, having been domesticated as pets and servants by humans following a plague that kills all the cats and dogs, revolt and overthrow their human masters under the leadership of a chimpanzee from the future. Worth it for the soundtrack alone, to say nothing of the back-to-back Roddy McDowell and Richardo Montalban, and now seeming more prescient than I ever would have imagined. Now re-released in a director's cut (!) reviewed here.

Monday, February 16, 2009

Buffy, Dollhouse creator Joss Whedon to receive Bradbury Award

CHESTERTOWN, Md. -- Joss Whedon, creator of such science fiction and fantasy-themes television series as Buffy the Vampire Slayer, Firefly and Dollhouse, has been named recipient of the Bradbury Award for excellence in screenwriting, as presented by Science Fiction & Fantasy Writers of America.

SFWA President Russell Davis made the announcement Feb. 16. Whedon will be honored during the Nebula Award Weekend® in Los Angeles, Calif., April 24-26.

“Like everyone who picks up a pen, I was a rabid Bradbury fan and as greatly influenced by him as any other writer I read,” Whedon said. “To receive the award named for him is an honor I'd not dreamed of. In my defense, it didn't exist back then. What did exist were the very lovely, very twisted and very human stories that warped my impressionable mind, and that I have tried, in whatever medium they will let me, to measure up to.”

Created in 1992 by then-President Ben Bova and named after famed author and screenwriter Ray Bradbury, the Bradbury Award is a special president's award presented for outstanding genre-themed work in a dramatic medium. Previous Bradbury Award winners are James Cameron for Terminator 2 (1992), J. Michael Straczynski for Babylon 5 (1999) and Yuri Rasovsky and Harlan Ellison for 2000X - Tales of the Next Millennia, a National Public Radio series (2001).

“I'm very excited to be giving this honor to Joss Whedon in recognition of his substantial and superior body of work, including Buffy, Angel, Firefly and the Serenity film, as well as Dr. Horrible’s Sing-A-Long Blog,” said SFWA President Russell Davis. “His impact as a writer, producer and director on the science fiction and fantasy film and television landscape is undeniable, and he is more than deserving of this recognition from our organization.”

As of 2010, the award will become the annual Ray Bradbury Award for Outstanding Dramatic Presentation for works including motion pictures, television, Internet, radio, audio and stage productions. The award will first be presented in 2010, for works released in 2009. Though not a Nebula, the award will be presented at the Nebula Awards Ceremony and will follow Nebula rules and procedures; the Script category of the Nebulas has been eliminated.

The 2009 Nebula Awards® Weekend will be held in Los Angeles, Calif., April 24-26. Harry Harrison will be honored as the next Damon Knight Grand Master, while M.J. Engh will be honored as Author Emerita. Singer/songwriter/author Janis Ian will be on hand to serve as toastmistress. Victoria Strauss will be presented with the SFWA Service Award, while Kate Wilhelm, Martin H. Greenberg and the late Algis Budrys will be honored with the inaugural SFWA Solstice Award.

About SFWA

Founded in 1965 by the late Damon Knight, Science Fiction and Fantasy Writers of America brings together the most successful and daring writers of speculative fiction throughout the world.

Since its inception, SFWA® has grown in numbers and influence until it is now widely recognized as one of the most effective non-profit writers' organizations in existence, boasting a membership of approximately 1,500 science fiction and fantasy writers as well as artists, editors and allied professionals. Each year the organization presents the prestigious Nebula Awards® for the year’s best literary and dramatic works of speculative fiction.

Raven on Sterling


At Futurismic, a very nice Bruce Sterling interview by the always-excellent Paul Raven, with some interesting little riffs about the future of the genre:

What’s next for Bruce Sterling – what will you be focusing on, and what should we all be watching out for on the global stage?

Well, I never said much about this, because there are certain dark remarks that can become self-fulfilling prophecies. But I always held a secret, silent dread that I would end up as a publisher. It’s the standard punishment for getting too close to the Muses: they make you put on an apron and an eyeshade and do all the scutwork.

But if there’s no commercial science fiction, no bestsellers, no chainstores, no media tie-ins — no more place to throw my glowing pearls before those capitalist swine — well then, clearly the model for action is something like Arkham House. Yes, Arkham House, or maybe some Czech hippie ‘89er samizdat underground scene. Counterculture goes to the trenches. Cold canned spaghetti with the Lovecraft cult. It’s what one does.

I sure don’t relish that prospect, because I’m old and lazy, but what the heck, I’ve seen it. Maybe, if I absolutely had to do it, I could do it in some way that better fits contemporary circumstances. Like: buy the 6,000 word scifi story, get the free fabricated chair-plans. An Arduino chip with every novelette. Buy the fantasy trilogy and you get a gratis Italian street uprising and a homemade steampunk watch. You get my drift here.

When the world turns upside down, the people don’t stop breathing. Tomorrow just composts today.



Out next week: The Caryatids.

Fortean fireball weekend

I guess that's what happens when you stay inside in the morning and tap away at the laptop. You miss the flaming space junk raining on the Sunday morning marathoners outside.



Local news reports:

Mystery fireball streaks across Texas sky
Updated: 2/16/2009 7:40 AM
By: News 8 Austin Staff


The U.S. Strategic Command said Monday that the weekend shower of fireballs over Texas was not debris from last week's collision of two satellites over Siberia. They said it was a natural phenomenon.
(((We still have a Strategic Air Command? I thought it was "disestablished as a MAJCOM" in 1992. Nothing reassures like a denial from a nonexistent agency*...)))

What looked like a fireball streaked across the Texas sky Sunday morning, leading many people to call authorities to report seeing falling debris.

Preliminary reports from Williamson County officials said a small aircraft went down, and then officials said it was likely space debris from two satellites crashing.

(((Williamson County is north suburban Austin, home of Dell computer, endless new suburbs, and plenty of actual Texas farms and ranches.)))

The Federal Aviation Administration said Sunday that it received numerous reports across Texas of falling debris and they are uncertain what the fireball in the sky was.

FAA spokesman Roland Herwig said officials initially suspected the debris could be related to the collision, but he said that had not been confirmed.

News 8 received numerous calls saying debris was falling around midmorning Sunday, what looked like a meteor. Some of the callers reported what looked like a fireball in the sky.

Williamson County officials combed the area in a helicopter searching for any trace of a small aircraft landing, but were unable to find anything.

((("Hey, sheriff, I think that there lid on that thang is startin to unscrew like all by itself.")))

The FAA notified pilots on Saturday to be aware of possible space debris after a collision Tuesday between U.S. and Russian communication satellites.

The chief of Russia's Mission Control said clouds of debris from the collision will circle Earth for thousands of years and threaten numerous satellites.

(((How very Ballardian of them — orbital ruins! Ozymandias monuments of the Cold War superpowers. Like the opening of the second act of Kubrick's 2001, but with all the space stations and satellites dead, The Blue Danube replaced with some more suitably entropic fugue.)))

The debris field from the collision is described as huge, but scientists are still trying to determine the full scope of the crash.

News 8 Austin photojournalist Eddie Garcia caught the fiery streak in the Central Texas sky Sunday morning.

The people running were not running from the fireball. They were actually running the Austin Marathon.

(((Yeah, right, we know they were running from the zombies.)))

***

The U.S. Strategic Command said it is not debris from last week's crash between U.S. and Russian satellites.
(((No, it's debris from our secret war with the aliens.)))

A Federal Aviation Administration spokesman said they don't know what the fireball in the sky was.
(((First-rate big budget viral marketing for the new season of 24, which postulates a sinister African dictator who captures a device that allows him to magically hack any infrastructure system and cause plant spills and mid-air plane crashes. Keep fear alive!)))

The debris field from the collision is described as huge, but scientists are still trying to determine the full scope of the crash.
(((Just imagine the redneck who's still digging up tiles from Space Shuttle Columbia, walking out Sunday morning to find space junk carrying the Andromeda Strain smoldering in the ditch. So that's where the zombies are coming from...)))



I look forward to the singer-songwriters of this "live music capital of the world" to come up with some suitable Texas-centric remakes of the prescient song from Devo's first (Spacelab-era) album:

Space Junk

she was walking
all alone
down the street
in the alley
her name was sally
she never saw it
when she was hit by
space junk



*(((Correction, it's not S.A.C., but the new U.S. Strategic Command, our "Leaders in Strategic Deterrence and Preeminent Global Warfighters in Space and Cyberspace." )))