Tuesday, January 13, 2009

FF2 nominated for PKD Award


This just in — Lou Anders' anthology Fast Forward 2, which features my story "The Sun Also Explodes," has been nominated for the Philip K. Dick Award, given each year to what the judges consider the most meritorious sf paperback original, a very cool category for genre work that bites into the copper wire. This year's nominees include:

EMISSARIES FROM THE DEAD by Adam-Troy Castro (Eos Books)

ENDGAME by Kristine Smith (Eos Books)

FAST FORWARD 2 edited by Lou Anders (Pyr)

JUDGE by Karen Traviss (Eos Books)

TERMINAL MIND by David Walton (Meadowhawk Press)

TIME MACHINES REPAIRED WHILE-U-WAIT by K. A. Bedford (EDGE Science Fiction and Fantasy Publishing)

More here at Lou's blog.

Sunday, January 11, 2009

Moon Rover

"If this country can send a man to the moon, surely we can. . . ." has been a moldy oldie for years. But it's starting to sound fresher now.

The Houston Chronicle reports that the final float in Barack Obama's inaugural parade will be NASA's Small Pressurized Rover, the machine designed for missions returning to the moon in 2020. How very apt. As I noted in this space after Election Day, during Obama's televised acceptance speech, I was struck by the stage setting in Denver. No pompoms, confetti and other silliness, but the large letters USA spelled out in white lights. The plain, sans-serif letters reminded me of the USA on the Saturn Five rockets in television coverage of moon shot liftoffs. Indeed, on Election Night 2008 I was proud of the USA in a way I haven't been since Apollo. In the intervening years this country has a lot to its discredit, including several presidencies and unwarranted wars and the Wall Street greed debacle.

If this country can send a man to the moon, surely we can: get our financial house in order; stop lusting for war, and get ourselves out of the last ill-advised war, without completely destroying the luckless country where it plays out; and last but not least, get back to the moon. We can hope. Yes, we can.



NASA Constellation Program photo

Patagonian overthrottle

After being cancelled last year due to fear of terrorist attacks, the Dakar rally this year is being held in Argentina and Chile rather than West Africa. Which is kind of cool, the vision of Mad Maxed VW Touaregs and Russian trucks and combat 911s roaring through the Borgesian backcountry for an extreme Gaucho autogeddon. Maybe they stop in the lawless tri-border area of Alta Paraná, reported to be an Al Qaeda safe haven?



Though I have to say, moving the race out of Africa due to concerns about terrorism seems to miss the point. This is already the deadliest auto race out there (already several casualties just a few days into the race this year), with all the hazards incident to taking your car off the road and into wild nature, from blown tires and dusted-up engines to the simple old problem of getting seriously lost in the middle of nowhere. Which is how the race got started, when an adventurous Frenchman got lost in the Libyan desert and said, hey, what a cool spot for a race. So wouldn't the additional hazard of potentially being abducted by Janjaweed militiamen, members of the Polisario Front, or Tuareg sand people just amp up the Speed Racer-meets-War of Terror 21st century potentiality of the whole affair? Maybe next year.

2009 Dakar Rally.



(Yeah, I know, they don't come anywhere close to Patagonia.)

Wednesday, January 7, 2009

It'll all end in tears

Now, a word from the "Pulling it out of your ass" department...

You know, I was a fairly strong fan of the revamped Battlestar Galactica through the first two seasons. I had some issues with some characters, and occasional creative decisions that struck me as sloppy or lazy, but overall there was a solid internal consistency to the show that I appreciated. It was a smart show, but that intelligence wasn't flaunted--it was applied inwardly to up the quality of the series. That is, until the big "destruction of the Pegasus" episode. The freeing of the trapped humans from New Caprica was a great episode, no doubt. One of my faves of the series, in fact. But once the Pegasus went blooey, for me, the series jumped the proverbial shark. Not because of the destruction of the Pegasus, mind you, because from a narrative structure that had to happen eventually. But because every episode after that seemed to take on "A Very Special Episode..." vibe. Suddenly, the writing staff wanted to show off to everyone how clever they were. The drama became ham-fisted. Internal consistency and continuity flagged. Plot devices appeared out of convenience, rather than growing from what had gone before (rewatch those awesome first six episodes from season 1 if you don't believe me). And, to me, the most telling detail of all was the fact President Roslin kept keeping track of the number of human survivors.

In short, Ron Moore & company, after such a disciplined early run, started believing their own press clippings and started pulling plot elements out of their collective assholes. Some folks I've discussed this with simply abandoned Battlestar because "It's not good anymore." Me, being obsessive at times, couldn't settle for so subjective a dismissal. I had to understand the root of the malaise. I had to have evidence, hard evidence, to back up my nagging disquiet.

The so-called "Final Five" continued to nag at me beyond all reason. The sudden plot-centrality of these mysterious Cylon units didn't jibe with the first two seasons, nor with interviews Ron Moore had given over that period. They felt... contrived. When four utterly random characters suddenly met in an isolated room on the Galactica to groove on Dylan's "Watchtower" (and really, if they were going to pull a stunt that cheesy, couldn't they at least have the balls to go with the hard-edged Hendrix take on the same material?) I threw a pillow at the television and shouted "They're making this shit up as they go along." Now, lo and behold, Ron Moore has agreed that indeed, he is making his shit up as he goes along:
So, for instance, when you decided who four of the Final Five would be, how much thought did you have to put into it before revealing it in "Crossroads," and how much was, "Oh, we'll say this and figure it out over the hiatus"?

The impulse to do it was literally an impulse. We were in the writers room on the finale of that season, always knew we would end season 3 on trial of Baltar and his acquittal, the writers had worked out a story and a plot, they were pitching it to me in the room. And I had a nagging sense that it wasn't big enough, on the level of jumping ahead a year or shooting Adama. And I literally made it up in the room, I said, "What if four of our characters walk from different parts of the ship, end up in a room and say, 'Oh my God, we're Cylons'? And we leave one for next season." And everyone said "Oh my God," and they were scared, and because they were scared, I knew I was right. And then we sat and spent a couple of hours talking about who those four would be. Surprisingly, it wasn't that hard to lock in who made the most sense and who would make the most story going forward.

Now, to be perfectly fair, that's not an invalid method of storytelling. That's how Tolkien wrote Lord of the Rings. That's how Gaiman wrote The Sandman. That's how Dickens wrote everything. I'm even trying my hand at it with Memory. But the trouble is, when you continually pull stuff out of your ass, sometimes that shit's going to stink. Ron Moore, apparently, doesn't think his shit stinks (or anybody else's for that matter, since he heaped praise on the much-maligned ending to The Sopranos). While the blasted and desolate Earth he left us with midway through season 4 was a pretty damn good Planet of the Apes moment, I just don't have faith in him to deliver the goods in the end. I'll watch--in for a penny, in for a pound as they say--but from someone who thought The Sopranos wrapped it up beautifully, I fear the best we can hope for is some baffling namby-pamby, navel-gazing handshake reminiscent of The Matrix Revolutions.

Tuesday, January 6, 2009

FRIDGE CITY


On Epiphany, the day after the Twelfth Day of Christmas, I reflect that to a very unusual extent for Houston, this year the holiday season's color was white. For one thing, Houston had a delightful evening snowfall a week before Christmas. Then as I watched the holidays unfold, a whole string of symbolic moments were white, as over against the Technicolor extravaganza that Christmas in Houston can be.

Actually, though, it all started with the refrigerators.

After Hurricane Ike, three million people lost electricity for days on end. Eventually most of us broke down and cleaned the fridge. Out went condiments of great antiquity and variety. Hurricane parties and post-hurricane barbecues had already dispatched the imported lobsters, Gulf seafood, and choice cuts of venison and beef. Cleaning the fridge meant discarding innumerable mystery meats and desserts of uncertain provenance. Spills, stains, crumbs and the fossilized radish leaves in the vegetable crispers got cleaned out too. It was a banner day when the power came back on and another banner day when we were able to go to the grocery store and find fresh milk and vegetables to tuck into the fridge.

So in this holiday season there were three million clean, white refrigerators. Clean refrigerators is an understated grace note that seems apt on the brink of 2009. Most of us got through Hurricane Ike OK or at least alive. But reminders of Ike are still everywhere. As I jot this down in the Harris County Jury Assembly room, it's just been announced that we, the potential jurors waiting to be called, will not get to watch the Travel Channel on the video monitors. "Back in September, Hurricane Ike took the satellite dish off the roof and didn't give it back," says the Bailiff.

On the heels of Hurricane Ike came Hurricane Financial Meltdown. That one is nowhere near over. A couple of days ago I heard a pedestrian on his cell phone advising somebody to "hunker down," which undoubtedly had to do with either their job or their retirement plan. This could be the worst Christmas for years to come. Or if things keep going downhill, this could end up as the best Christmas for years to come. Christmas 2008 definitely wasn't Christmas past, with the usual excess and self-congratulation. Christmas Present was grateful, but somewhat weary and wary. Christmas Future had a lean and hungry look.

This year I intended to put up my tree as a brave exhibition of celebration amidst uncertainly. For most of the year Christmas lives under my bed. I got as far as dusting the boxes containing ornaments and artificial tree and all. Then I fell ill. For several days I subsisted on white rice, white bread, and yogurt. All, you will note, white, and a lot better than not being able to eat anything (or keep it down) at all. I felt bad enough for long enough to skip the tree. But I had the Advent wreath I made in a workshop at church on the first Sunday of Advent. Even better, I had a good place to put an Advent Wreath this year, because last May I brought my grandmother's sewing machine back from Georgia. The machine is hidden in an elegant table with a smooth top—a perfect place for the wreath. It was a large evergreen wreath with four candles symbolizing the four Sundays of Advent. Three of the candles were blue and one, to symbolize the Third or Rose Sunday of Advent, was pink. In the center of the wreath was the white Christmas candle.

On Christmas Eve I crept into bed at 6 PM, pulled the warm covers up, read Charles Dickens' A Christmas Carol, slept until almost midnight, got up to light the Advent Wreath and say the prayers that go with it, and went back to bed feeling blessed. Christmas day I didn't run around giving and receiving. Still recuperating, I stayed home. But I had some presents to make me feel better. Two of these meant especially much to me. One was in a plain white envelope from my mother. She has Alzheimer's, and last Christmas she had just moved into Assisted Living in Georgia. Last year for the first time in my life I didn't get anything from her for Christmas. That was deeply unsettling. This year, though, she insisted on my cousin Roy giving her a blank check; she obtained a perfectly nice Christmas card; and she sent me the card with a nice little check enclosed. Never mind that I write her bills with the same checking account. It's the thought that counts, and she thought clearly enough to go through the giving steps for me, and I'm glad.

Christmas morning I opened a present that came just the day before from my friend Flo in San Francisco. In the white FedEx box, inside the bright wrapping paper, there was a white gift box. It contained a pretty sun-catcher. The wreath, the sun-catcher, and feeling well all felt like enough on Christmas morning. I've noticed in years past that the less cluttered Christmas Eve and Christmas are with parties, food and drink and social things, the more brightly the spiritual dimension shines, like the Christmas candle. There is profound difference between having too little and having enough, and an equally profound difference between enough and too much. Consumer capitalism does its damnedest to implant the conviction that the best definition of "enough" is more, more, more. As we go into 2009, that lie looks more transparent than usual. In an editorial in the New York Times on December 26, Bob Herbert refers to the idea "...that the essence of our culture and the be-all and end-all of the American economy is the limitless consumption of trashy consumer goods."

The engines of consumer capitalism long since hijacked Christmas as much as possible. The liturgical churches have more or less held out against the hijacking of Christmas by observing the season of Advent. Thank you very much; the poinsettias don't get put out until Christmas Eve and even then it's not the same Christmas as in the local mall. I was back up on my feet by the Sunday after Christmas and glad to be able to go to my church, St. Stephen's Episcopal. The Christmas decor was all greenery, gold accents, white banners and while poinsettias. No red decorations. It was beautiful, reverent and appropriate. White is a peculiarly barren yet promising color—the color of snow, or desert sand, or a fridge without food, or the white page before any words are written. As I understand the history of textiles, white is a rather hard color to manufacture. Nature has lilies, stars, snow, sand, milk, and creatures with snow-white fur, but in the old days the word white (Latin albus) just meant relatively white, including the flaxen color of linen garments. So the linen church vestment called an alb, which is derived from the Roman linen tunic, doesn't have to be snowy white.

By New Year's Eve I felt well and had a wonderful evening out. My friend Yazmin invited me to spend the evening at St. Joseph Antiochian Orthodox Church. The three-hour (!) service included an Orthos, Divine Liturgy, and I'm not sure what else, in celebration of St. Basil the Great, the Circumcision of Jesus, and I don't know what else. Orthodox services are not easily understandable, or meant to be. However, the worship was radiant with mystery, fragrant with incense, and resonant with the chanting of the choir. Some of the tones sounded Arabic. This particular church is a small, acoustically live basilica with many icons and white walls. So again: the color white.

At one point (I think it was at the consecration of the bread and wine) the entire congregation prostrated itself. This means to kneel and touch your forehead to the floor. It can be a shock to the system of a Protestant Christian. Yet even for a Protestant visitor in an Orthodox church, prostration can feel profoundly right and heartfelt. There's a slightly famous quote from I know not where that refers to people who bow down in awe and reverence before no wisdom greater than their own. At the end of 2008, after CEO's, a presidential administration, and other wise fools left the United States mired in war and financial ruin—and after Hurricane Ike, when the power grid of Houston, the energy capital of the world, ended up in shreds—after all that, some bowing at the idea of wisdom greater than our own does seem in order.

After the church service, St. Joseph's threw quite a party. Having been raised Southern Baptist, I quickly realized that whereas a Baptist church might well sponsor an event on New Year's Eve, they wouldn't have a) bottles of wine on every table, b) tastefully sexy dancing such as occurred in the St. Joseph event hall when the DJ played Arabic dance music. All of it, the music and colored lights, the fine food and the dancing, greeted a new year that isn't like most I can remember. 2009 probably won't be about entitlement. It will be about loss, hope, and a basic truth: that having much and expecting more and more has nothing to do with joy. Worldly goods and wealth don't create happiness. Joy comes from community, meaning, and hope. Happiness, the icing on the cake of joy, is having just what you need, no less and no more, like a clean refrigerator with some milk and vegetables.

Happy New Year!

Eight seconds into the future



So yesterday I was reading a little article about the life of the professional bull rider. Which seems to involve a lot of aspirin, nasal reconstruction (from when you get "dashboarded" by the bull), Copenhagen, and U.S. Border Patrol endorsements.

I have been interested in bull riding ever since I randomly discovered the shark-jumping reality show Ty Murray's Celebrity Bull Riding Challenge, in which the diminutive Texan champ (assisted by his girlfriend the Alaskan singing poetess, Jewel) teaches a crew of has-been celebrities, including actor Stephen Baldwin, Leif Garrett (who wimps out on the first day), Nitro from American Gladiators, Vanilla Ice, Rocket Ismail, Jonny Fairplay (yes, a reality show star appearing as such on other reality shows — we live in the age of meta-*non*fiction), an ultimate fighting guy, a motocross guy, and the direct-to-video son of Anthony Quinn.

(Yes, you are in luck, all six episodes of this masterpiece are available free online at Country Music Television:)



Having third-tier celebrities (for whom your brain still uses one individual neuron each, no matter how obscure!) makes total sense, since the real stars of the Professional Bull Riding league are the bulls. Maybe because the naming of the bulls is so etymologically inspired, like a burly Nascar variation on race horse names, as in these big boys that have made the list of bulls producing 90+ point rides:

Hollow Point
Splat Kat
Scene of the Crash
Hemi
Cheeseburger Island Style
Uncle Charlie
Chicken on a Chain
Ricky Bobby
Honky Cat
Say I Won't Gunner
Squirtgun
Little White Soldier
Hammertime
Werewolf
Chili
Crown of Thorns
Satan's Own
Smokeless War Dance
Maximus
Peacemaker
Crossfire Hurricane
Red Jacket
Beer Goggles
Crankshaft
Booger Butt
Red Alert
Blackwater
Wild Thing
Grey Dog
Small Package
Nasty Mike
Mesquite Heat
Johnny Walker Happy Hour
Lil Yellow Whale
Monster Mash
Ridin Dirty
Dodging Calls
Sheep Dip
Road Rage
Helter Skelter
Freak on a Leash
Radical
Camo Cap
Tighty Whitey
Blender Head Snuff
Lock & Load
Vertical Force
Uh Oh

You may recall my mention a couple months back of how Technovelgy and others picked up on the background idea from my story "The Sun Also Explodes," included in Lou Anders' acclaimed anthology Fast Forward 2, of a football league without restrictions on human modification:

Crile scratched his silvery buzzcut, flexing a biceps that pulsed with the texture of manufactured tendons and polymerically enhanced blood vessels. He was one of the alpha generation of real celebrity cyborgs, a Texas star college quarterback who was among the first to go straight to the UFL.

The Ultimate Football League was the first to abandon professional athletics' anachronistic insistence on the prohibition of performance enhancements, be they pharmaceutical, biomechanical, or genetically engineered. It was a genius stroke by the founders. The audience was far more interested in superhuman performances than fidelity to nature, and the athletes were addicted to the potential of even greater power.


In related posts, I have talked about the Freeman Dyson vision of an imminent world where genetic modification technology ends up democratically distributed just like personal computing technology was beginning twenty-five years ago.

So you put all this together, and you quickly end up realizing that a much more likely imminent kind of rogue science-enabled extreme psycho-sport for the 21st century is something like ultimate bull riding, in which the supreme test of post-cowboy manhood is how many seconds you can stay on that genetically modified monster bull. You know, the one that's got all of his innate bullness turned up to 11, a few cyborg enhancements, and some other species strands spliced in, like the rogue fruits in fine wines — a little bit of pit bull, a little bit of bison, maybe a little bit of vintage triceratops? *

Tell me you wouldn't pay to watch that rodeo.



*Special prize: We'll send a free copy of Fast Forward 2 to whoever can come up with the most worthy name for that bull (just add a comment below).

Saturday, January 3, 2009

MEMORY: 30

First
Previous



Armor screens flared and sparked as the door fragments hit. Shouts of pain mingled with roared curses from the Eternal Militiamen. Smoke and the stench of burning hair and plastics filled the hall.

Djserka stood dumbfounded in the hall intersection, staring in horror. “You... you attacked them.”

“They are starting it,” Parric said absently, slithering down the adjoining passage. “I am assuming this is out alternating route? Or are we going all the way backing to the stairwell?”

“You attacked the Eternal Militia!” Djserka said, ignoring Parric’s question. “I’m ruined. Oh, today has been utter disaster. Their Imperial Majesties will never retain me now. I’ll be sacked, I just know it. Sent off with scathing references, or worse! If any are dead--”

“If any are deading, then the Emperor is deserving of refundings for worthless armor screens,” Parric snapped. “Now, are you guiding me, or are you taking your chancings with Commander Balam?”

Djserka hesitated an instant, then lurched after Parric. “This way. There’s a public stair up ahead,” Djserka muttered. “I’m regretting this already.”

“Join the crowdings.” Parric Crafted barricades across the hall behind them as they went.

Green fire burst across the first one just inside the intersection. Commander Balam’s reaction was barely muffled by the intervening barriers.

“That may hold off Commander Balam’s squad, but by now he’s contacted the Palace Coordinated Command,” Djserka said. “Squads will be moving in to cut us off from every direction.”

“Militia are not my concernings at the moment.”

The Palace of Un-pic Ja’ab vibrated suddenly, disconcertingly underfoot.

“Did you feel that? I’ve never felt the palace suffer even the slightest instability before.” Djserka’s spines bristled nervously. “You don’t suppose this bears some relation to those creatures attempting to force their way into the palace?”

Piercing alarms sounded throughout the palace.

“It is bearing every relation,” Parric answered. “We are needing to hurry.”

“This is the stair.”

They made it up the curving stair without opposition. At the top, they pulled back from the hall as a grim-faced Eternal Militia squad double-timed past. The commander glanced their way, gave a quick once-over, then continued on with his men.

“Seeing? We are being the least of their troubles.”

Djserka led them down the narrow hall to a crossing corridor, which they followed to another curved stair, passing only a handful of worried peq along the way.

More vibrations rippled through the palace. From some unidentifiable distance echoes of explosions and a great crashing could be heard. Through it all, the alarms continued their relentless scream.

“The breaking through is happening,” said Parric, diving down the stair. “The moironteau are insiding the palace. We must be hurrying.”

“You mean they’re coming after us?

“No. They’re aftering Flavius. And they’re verying good at finding him.”

The stair opened into a broad alcove adjacent to the main hall. The sounds of fighting were much louder and closer. Parric stole a look around the corner. “I’m knowing where I am now. Much thankings to you,” he said, taking wing.

Djserka shot out a clawed hand and grabbed hold of Parric’s pack straps. “No, no, no. Mere thanks does not absolve you of the fact you’ve destroyed my career within the Eternal Dominion, not does it give you leave to abandon my person in a...” Djserka flailed his free arms in exasperation. “In a war zone, sir!”

Parric offered a pitying look. “Following me if you are wanting, but I’m doubtingful you’ll find it safer in my company.”

“Those commanders will have reported me in your company. The damage is already done.”

“Try to keeping up.” Parric launched into the open hall. Djserka followed.

Far down the opposite direction, where they’d encountered Commander Balam only minutes earlier, a dozen or so Eternal Militiamen fought a furious battle with at least three moironteau. Chunks of marble archway fell through billowing smoke as tapestry and woodwork burned with red-orange flame. The tight, green tongues of cuayabs lashed the moironteau in rapid bursts, blistering the blackened hide of the thrashing footheads. One foothead swept down on a militiaman. The soldier glowed hotly blue for almost three seconds before his armor screen collapsed and the grinding teeth closed over him.

The militiaman’s cuayab ruptured with a sudden report and brilliant white explosion. The foothead--along with a good portion of the body attached to it--splattered across the vaulted ceiling and floor. The moironteau carcass crumpled as the remaining militiamen picked themselves off the floor where the concussion had thrown them and directed their cuayab fire at the other two moironteau.

“They’ve killed one!”

“And two are taking its place,” answered Parric. “But if they are delaying the moironteau, we can get Flavius and be going before--”

Parric noticed the growing fissure in the floor ahead an instant before it erupted great chunks of stone. Parric pulled up, twisting as he did to dodge debris. A block of polished marble twice the size of a man’s fist clipped the right side of Parric’s head, just missing the third eye. Parric crashed to the ground.

Two footheads slammed down on either side of the gaping hole, hoisting the moironteau into the corridor from the floor below.

Djserka reached Parric, pulling him back from the moironteau.

The moironteau heaved itself out of the hole. Immediately, more footheads reached out.

“What... what...” muttered Parric.

“You took a knock on the head,” whispered Djserka. “Those moironteau of yours. They don’t seem to be taking note of us. The first one’s moving off.”

“Moironteau?” The word gave Parric something to focus on. He rose, pushing Djserka away. He shook his head, fighting the wobbles. The second moironteau had climbed halfway through the opening. Parric clicked his beak angrily, then Crafted a heaviness upon the vaulted ceiling.

A ton of ornate stone archway collapsed into the hole, crushing the moironteau. The first moironteau stopped in its tracks, raising its rear footheads to locate the threat.

Without a word, Parric Crafted a collapsing around its body. Immediately, the moironteau sensed it, and fought to break free. Parric flicked his antennae, and the collapsing fell in upon itself, compressing the moironteau’s body as it went. An instant later, the moironteau was gone, crushed into nothingness. Only the dismembered, twitching footheads remained.

Djserka stared, mouth agape. “That was--”

“Not something you’re ever telling Flavius,” Parric muttered. He rubbed the knot on the side of his head gingerly. “I’d never be hearing the end of it. Coming on, his room is this waying.”

The side corridor of the Cobama wing was deserted. Flavius’ door stood closed and undamaged.

“There’s Flavius’ rooming,” Parric said in relief. “He’s still safeing--none of the moironteau are reaching here yet.”

The door to Flavius’ room--and the wall surrounding it--exploded outward with the thunderous report of a cuayab rupture.

Continued