Showing posts with label joe haldeman. Show all posts
Showing posts with label joe haldeman. Show all posts

Monday, December 14, 2009

Joe Haldeman named Damon Knight Memorial Grand Master



CHESTERTOWN, Md. – Joe Haldeman will be honored as the next Damon Knight Memorial Grand Master for 2010 by Science Fiction and Fantasy Writers of America. The Grand Master represents SFWA's highest accolade and recognizes excellence for a lifetime of contributions to the genres of science fiction and fantasy.

SFWA President Russell Davis announced the decision after consulting with the Board of Directors and participating past presidents. The presentation of the Damon Knight Memorial Grand Master Award will take place at the SFWA Nebula Awards® Weekend in May. The Nebula Awards weekend is available to the general public with advance registration.

“Giving the Grand Master is one of the true pleasures of serving as the President of SFWA,” said SFWA President Russell Davis. “Being able to give it to Joe Haldeman--a past SFWA president, an extraordinarily talented writer, a respected teacher and mentor in our community, and a good friend--is not just a pleasure, but a genuine honor. I can think of no one more deserving that I’d be more pleased to recognize.”

The author of 20 novels and five collections, Haldeman remains one of the most popular science fiction writers working today. His landmark novel, The Forever War, won the Nebula, Hugo and Ditmar Awards for best science fiction novel in 1975, and spawned two follow-up novels, Forever Peace and Forever Free. In total, his writings have garnered him five Nebulas, five Hugos and a host of other awards as well as numerous nominations. Other notable works include the novels Camouflage, The Accidental Time Machine and Marsbound as well as the short works “Graves,” “Tricentennial” and “The Hemingway Hoax.” His latest book, Starbound, is scheduled for a January release.

Haldeman is the 27th writer recognized by SFWA as a Grand Master. He joins Robert A. Heinlein (1974), Jack Williamson (1975), Clifford D. Simak (1976), L. Sprague de Camp (1978), Fritz Leiber (1981), Andre Norton (1983), Arthur C. Clarke (1985), Isaac Asimov (1986), Alfred Bester (1987), Ray Bradbury (1988), Lester del Rey (1990), Frederik Pohl (1992), Damon Knight (1994), A. E. van Vogt (1995), Jack Vance (1996), Poul Anderson (1997), Hal Clement (1998), Brian Aldiss (1999), Philip Jose Farmer (2000), Ursula K. Le Guin (2003), Robert Silverberg (2004), Anne McCaffrey (2005), Harlan Ellison (2006), James Gunn (2007), Michael Moorcock (2008) and Harry Harrison (2009). Until 2002 the title was simply "Grand Master." In 2002 it was renamed in honor of SFWA's founder, Damon Knight, who died that year.

About SFWA

Founded in 1965 by the late Damon Knight, Science Fiction and Fantasy Writers of America brings together the most successful and daring writers of speculative fiction throughout the world.

Since its inception, SFWA® has grown in numbers and influence until it is now widely recognized as one of the most effective non-profit writers' organizations in existence, boasting a membership of approximately 1,500 science fiction and fantasy writers as well as artists, editors and allied professionals. Each year the organization presents the prestigious Nebula Awards® for the year’s best literary and dramatic works of speculative fiction.

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Wednesday, December 10, 2008

An interview with Joe Haldeman

Heads up kids--this is something you'll want to see. My interview with the great Joe Haldeman is now available in the current issue of Brutarian.

Haldeman1_sm


Haven't heard of Brutarian before? Well, you haven't been paying attention. They've become one of my most dependable markets, with the Dom, the publisher, buying pretty much every interview I offer him. Which is groovy, since Brutarian is a unique publication. And I don't use that term lightly. Take a gander at the cover to the current issue, no. 52 to be specific:

Brutarian_52


I want to know how Dom discovered my admiration for bodypainting? Combine it with a kind of hipster, late-60s, Charlton "Planet of the Apes" Heston aesthetic, and I figure most folks will end up buying the magazine for the cover art alone. But if you're not convinced, here's a small taste of the conversation I had with Mr. Haldeman, just to whet your appetite.
I’d like to talk just a little about another award you’ve recently been associated with: Your participation in the Oscar-nominated Operation Homecoming documentary. How did that come about?

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It came about because the guy who’s in charge of the National Endowment for the Arts is a fan of my work, and he had to come up with a list of modern novelists who had written about war. He said I was one of the first he’d called.

It’s not something you do for money--it was an awful lot of work, actually. I feel for soldiers, I really think they’re getting a raw deal now, and anything I can do that makes their position more clear to the public is worth doing.

***


Do you ever get frustrated or exhausted by your constant association with the Vietnam War?

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Well no, not really. I mean, I’m used to it. Often I’ll just try to deflect it. Of course, most of the things I’ve written don’t have anything to do with war. Of the things I’ve written about war, about half of them don’t have to do directly with Vietnam.

***


Do you ever feel restrained or unfairly pigeonholed because of being so defined as a writer by The Forever War?

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Well, there’s no way I can get out of it now. I think a lot of people are defined by their early work. Every now and then I’ll get fan mail that says “Why don’t you write the Forever War again?” Gee, you know, I wish I was 26 again, too [Laughing]

There's a lot more good stuff where that came from. Plus (and you can think of this as a bonus) I've got a handful of book reviews in this issue as well: Blood & Thunder: The Life & Art of Robert E. Howard by one Mark Finn, Behold the Man by Michael Moorcock and Shriek: An Afterword by Jeff VanderMeer. If that doesn't move you to show Dom some love, you truly are a soulless automaton, and all hope is lost.